Metropolitan dir. Whit Stillman
Metropolitan
Whit Stillman
1990
History of Man - Maisie Peters
Emerald Fennell, Saltburn (2023)
Lots of people get lost in Saltburn.
Lovelorn and nobody knows
Love thorns all over this rose
I’ll pay the price, you won’t
But if I’m all dressed up
They might as well be looking at us
And if they call me a slut
You know it might be worth it for once
don’t you love when you’re casually reading a random poem and suddenly come across a line that burrows into your bones and becomes the definition of your heart for the next 17 years
(via missclaresmagic)
Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.
What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera’s hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they’re getting arrested, and gets called out by the police for her tone.
And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there’s a shot where the words are in full display in the background). And while they say, “Grover is upset because he doesn’t like it when people hurt animals,” they explicitly depict America’s colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole “Pan is missing” - it’s not just about Climate Change. It’s about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say “humans” are bad, but they’re showing us Western/American colonizers.
Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum’s commodifying and glorifying of American colonization is “not what the arch is actually about, it’s about architecture and math,” but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.
Anyway, idk. Maybe I’m overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.
I think the PJO Disney+ series should keep the “overcoming the blonde stereotype” subplot except with Percy and it’s a recurring gag throughout the season
Katherine Arden, The Bear and The Nightingale
deleting all dating apps. I want to marry someone the old fashioned way. I go into the woods on a midwinter night to pluck snowdrops because of my stepmother and meet my winter king aka. the death God who hurts me but then also heals me





















